Most recent articles by:

Marissa Haas

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‘Moxie’ fails to dig beneath the surface of the system it critiques

Amy Poehler's ‘Moxie’, released on March 3, looks to Riot Grrrl legends like Bikini Kill's Kathleen Hanna for a DIY approach to a feminist...

‘Minari’ is a tender, raw portrayal of immigrant life

‘Minari’, which premiered Feb. 12, is the closest to a cinematic experience we will get during the pandemic. It paints a stunning picture of...

‘Happiest Season’ mixes holiday cheer and gay trauma

Romantic comedies typically follow the same storyline. A woman meets a man, they fall in love, they break up, they admit their mistakes and...

Amber Ruffin changes the late-night television game

‘Late Night with Seth Meyers’ writer and performer Amber Ruffin debuted ‘The Amber Ruffin Show’ Sep. 25 on Peacock TV.

Glorifying musicians is dangerous

Teenage girls are a large driving force behind the DIY music scene. They spend countless hours listening to and promoting their favorite artists solely...

“Killing Eve” newest season feels lost

While season two, under a new showrunner, was a step down in quality, the show was still fun to watch and kept loyal fans watching. However, season three, yet again under a new showrunner, is struggling to find itself.

Separating art from artists hurts sexual assault survivors

rench actress Adèle Haenel shouted “Bravo, la pédophilie,” which translates into “Congratulations, pedophile,” as she walked out of the 2020 Céser Awards after Roman Polanski was awarded Best Director.

Tame Impala’s ‘The Slow Rush’ is heartfelt, reflective

After a five year hiatus, Tame Impala, whose real name is Kevin Parker, is back with a fourth studio album, “The Slow Rush.” The album is a heartfelt confession that discusses the passage of time, grief and feelings of inadequacy.

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Southern Miss Television: Episode 7

Students love being heartbroken over Adele’s ‘30’

(Graphic by Charlie Luttrell) Charlie Luttrell Adele is back after a...
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